What is a startup, actually? And in the context of DailySocial, what is a tech startup, anyway? According to Wikipedia, a startup is a “company or temporary organization designed to search for a repeatable and scalable business model”. The article goes on to describe that “Startup companies can come in all forms, but the phrase “startup company” is often associated with high growth, technology oriented companies. Investors are generally most attracted to those new companies distinguished by their risk/reward profile and scalability”. You can read the whole thing on the link provided, but I think I’ve put the key definitions here. And I think most people would add “under 3 years old” to that criteria.
Now, with all the attention that tech startups have been receiving the past year, a quick look at the theStartuplokal.org Showcase shows a small smattering of music startups, some defunct, some only having a beta signup page, and some not live at all. Although I agree that it the list is less than comprehensive, it shows that at least music startups have largely gone unnoticed by the recent wave of media attention towards startups in general. If you don’t believe me, try an internet search for music startups in Indonesia, and see where that gets you.
Read the rest of the article at Dailysocial.
Eki Dance Company dari tanggal 20-24 Maret, 2012 menggelarkan acara Kabaret Oriental: Anak Emas Juragan Batik di Gedung Kesenian Jakarta. Mengutip dari website Indonesia Kaya, mengangkat cerita soal perebutan cinta, harta dan tahta dalam sebuah keluarga pengusaha bisnis batik. Kabaret Oriental ini menggabungkan unsur-unsur drama, tari, musik, lagu dan multimedia kaya dengan unsur budaya oriental, dan khusus untuk pertunjukan ini, para pemain menggunakan Batik Kudus dalam kostum-kostumnya.
Baca selanjutnya di blog Wooz.in.
Who says the music industry is dead? While Napster might of spelled doom at one point in history, the past 10 years has seen an ever-accelerating comeback in the digital music space. While iTunes might still hold a dominant spot over digital music sales, more innovations and startups are breaking into the scene and making their own noise (nudge at Spotify). I literally couldn’t decide what to write about for this week’s column, so I’ve decided to do a short summary of all the interesting news around digital music.
- As previously covered on Dailysocial, there’s an indication that iTunes Store might finally be opening up in Indonesia. Although iOS device penetration is lowest here, it also means that there will finally be an easy-to-use music download store in Indonesia. But would it have the relevant music catalog to match?
- Spotify wants to cannibalize piracy. With 10 million active users and 3 milion paying customers, they might just do that, and catch up with iTunes to boot. But there’s a monster looming around the corner – the artists who aren’t getting paid from streaming services, not to mention big names like Coldplay and Adele withholding their catalog from streaming services, as part of a sales strategy, apparently. But with Spotify already paying out a lot in royalties, time will tell if they have a change of tune.
read the rest of the post on Dailysocial.
Hari ini, Wooz.in hadir di Oreo Fun Carnival, di Parkir Timur Senayan, Jakarta! Acara ini berlangsung dari hari ini, tanggal 17 Maret 2012 sampai Minggu, 18 Maret 2012, dan menyediakan berbagai permainan menarik untuk anak-anak, sekaligus mengajak anak-anak melihat proses bagaimana biskuit Oreo dibuat, lewat permainan-permainan yang seru. Acara ini merupakan bagian dari perayaan 100 tahun Oreo, dan selain sudah diselenggarakan di Bandung seminggu sebelumnya, juga dilakukan serentak di 24 negara lain.
Baca selanjutnya di blog Wooz.in.
Recently, many people have been talking about the so-called “future of music’, on how the music industry and/or the musicians can make money from music. A lot of focus has gone into mobile music offerings, music download services, and the music streaming services much heralded to be the “next big thing”. They’re all basically consumer-facing businesses, where the services – and the music companies partnered with them – attempt to monetize their music library direct to the music-loving consumer.
The music licensing aspect, however, is not talked about much, and even less understood.
Read the rest of the post on DailySocial.
As an Indonesian in Vietnam, I often meet fellow Indonesians on holiday here, and one of the most frequent questions they have is: how do I use my Blackberry in Vietnam?
Well, there are basically 3 options, that would apply to most BlackBerry users:
- International Roaming
- Use the service over WiFi
- Use a local operator
There are now officially two local operators in Vietnam that run the BlackBerry service. Viettel has actually had the service for a few years, but only for BlackBerry Enterprise Server users, and they only launched Blackberry Internet Server available for prepaid cards in August 2011. Mobifone just launched their Blackberry services in December 2011. Now for most users, the BIS plan for prepaid cards would be the most reasonable choice.
How to activate BlackBerry Internet Service on Viettel
For full BIS service, just send BB MAIL TUAN (weekly charging, 30,000 VND/week) or BB MAIL THANG (monthly charging, 100,000 VND/month) to 1602. If you want to see what other service options they have, you can look at Viettel’s Blackberry page here, and going to the “Dich Vu” section. Unfortunately the site doesn’t have an English service, but you should be able to figure it out.
How to activate BlackBerry Internet Service on Mobifone
For full BIS service, send DK BAS (monthly charging, 99,000 VND/month) or DK BASP (monthly charging, 130,000 VND, comes with 300 MB bonus data) to 999. If you want to see what other service options they have, you can look here. Luckily they have an English section.
Personally I’ve only been using the Viettel service, and it should be cheaper as they have a weekly charging option, ideal for those who only stay for a few days but simply can’t resist getting their Crackberry fix. As a comparison, standard mobile internet packages are much cheaper compared to their BlackBerry counterparts – I used to use a standard phone with a mobile internet package that gave me 350 MB/month bonus for 50,000 VND; and if you can resist the urge to immediately share pictures to Twitter or Facebook, using the WiFi option is usually adequate.
So, cloud computing’s all the rage lately; it has seemingly become the latest marketing ‘buzzword’ that tech-based services need to use to ensure potential customers that their product is relevant with the times. And for a good reason too; the growth of the amount of internet-enabled devices we interact with every day, has made cloud computing a proposition that is become more and more relevant to the consumer public.
If cloud computing, where storage and processing power is relegated to servers “in the sky” instead of only relying on the device you are currently using, has already made inroads to business, then why not entertainment? The importance of the ‘cloud computing’ jargon for consumers is that they can access all their content, files and services through virtually any internet enabled device. Files are “safe”, service preferences are remembered, and almost always, a service with cloud computing capabilities can be accessed through any modern browser.
More than 2 years ago today, I did rounds to a couple of companies, presenting in what I thought to be the next step in entertainment media – the media ecosystem. The idea itself was not new, and many of the parts of the idea were inspired by real-world businesses, like Nokia’s Ovi, RIM’s BlackBerry platform and of course, Apple’s iTunes. I simply tried to point out that the market is still wide open to create a seamless ecosystem for media products – music, movies, news, sports, and so on – to meet with advertising and brands, to become equally beneficial to all parties involved. This concept was based on 3 principles:
This article originally appeared in Rollingstone Indonesia magazine edition 871 (October 2011) in Indonesian. This is the English translation of that article.
A few months ago there was a rumor that the popular file-sharing site, 4shared, would be blocked in Indonesia, as part of the Ministry of Communication and Informatics to stop digital music piracy through that site. Although the rumor turned out false, it brought the issue of digital music piracy back to the surface. The question is, what is the correct course of action?
At the end of July 2011, a rumor that 20 popular music blogs and websites were to be shut down by the Ministry of Communication and Informatics; when actually, the associations of music industry companies supporting the ‘Heal Our Music’ had sent an official letter to the Ministry regarding this, which was also spread to the press. At the time of writing, there has been no action from the Ministry towards these sites.
This is a sign of the times, something with an apparent long history.
The recorded music industry that we know today, grew from the commercialization of music products through vinyl records. The music that we enjoy could only be heard through a live performance, or the purchase of a vinyl record (and in turn, cassettes and CDs). The recorded music industry had a stranglehold over music distribution, because access to music was limited to a physical product, in the form of vinyl records, cassettes or CDs. A relatively perfect business pattern was shaped – an industry structure that sold all kinds of music, in relatively equal formats and prices, and could be maintained indefinitely; as long as market conditions did not shift.
RIM has certainly lost a lot of steam these days. With sales dropping like flies across the globe, the future looks uncertain because no one in the world will know exactly how successful – or not – the upcoming QNX-based phones will fare. It certainly didn’t do well for the Playbook, which in all accounts is actually a solid hardware product with a mediocre software product. With the trend in computing – mobile or otherwise – is obviously moving towards a focus on software (the OS and apps), we have yet to see how RIM will ride tomorrow’s waves behind the giant ships of iOS and Android.
Of course, all this doesn’t matter for the average consumer, and I consider myself one. I do keep tabs on tech news and the latest trends in computing, but at the end of the day, I choose what works for me as a consumer. And for me, the BlackBerry works.